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Breviarium Moguntinum, Mainz, 1517, Stb Ink a 36

Title: Breviary Moguntinum

printing location: Mainz

Print Year: 1517

size: 461 (14) Journal

Format: Octave

cover material: wooden lid with leather and metal clasp

Binding Description

The cover is made of wooden boards with leather cover - perhaps pigskin? - Is provided with blind printing, and has beveled outer edges. Originally from the two simple metal closure is still a completely obtained.

front and back cover shows a similar design with rollers and coating iron lines, which are arranged in a double border around a rectangular midfield. Between the outer and inner frame are the top and bottom released two stripes and decorated with stamps, consisting of birds and Arabeskenmotiven.

addition to floral and arabesque scrolls are in the outer roller frame medallions with heads seen in half profile and the small middle is decorated with a figure. This shows, therefore, the typical Renaissance design elements. Look back cover can be seen that it is comfortable with the figure in the middle also a role as an embossing tool is, as these errors appear there, two shared with the lower body to the upper body.

The binding back with four raised double frets shows a later Neueinbindung with white paper. The type of hand-written resume of the title there can, as close to the Jesuits Neueinbinder. In addition, there is the small detail Moguntia 1618, indicating the time and place. Reason for the rebinding of the back is probably the test, a consistent picture of the book stock was to produce on the shelf.

Provenance

There is no band in this breviary owned entries, but many handwritten annotations, which are related thematically to the content and come from different hands.

mirror and endpapers are almost completely labeled, so that the waste from the front of the mirror is no longer read. On the endpapers are planet names listed in the calendar and, in addition to the Latin numbers, the corresponding Arabic listed, the owner probably intended as an aid for themselves.

Furthermore, is continuously on the first leaves at the bottom a little song or part of one. Stave with notes are there, and located below a Latin text.

typography

For the text of the book were used broken Gothic fonts specifically Schöffer T6 (Textura, used since 1505), and T9 and T17 (Gotico -Antiqua, by Johann Schöffer since 1506 or 1509 uses). The font size varies, as in other copies of the Mainz Breviary. According to the first part in a larger 31-line text, followed by parts in a small 35-line script.

It is switching between red and black print. Black pressure is here in front of the main parts of the text. Capitals and paragraph marks appear in the relevant award color, as well as the slightly larger Initialmajuskeln (full Lombards), which are divided along with the paragraph mark the text instead of paragraphs.

The type area is mainly designed with two columns. Abbreviations and ligatures come frequently and at the bottom arc signatures in support of the bookbinder are attached. These begin with the letter ij zij and on the following page.




initials

In a few places in the text large ornamental initials of different styles. Striking a B and a C-initial, arise in other species of breviary (tr Ink a 36 a, b and d). It is Lombards with split ends, appear in black on the negative-vegetable-tooled background. They are thus typical examples of Renaissance initials.

There are other initials that are usually printed in red. These are Lombards, Lombards, however, full of pearls, so they are designed not negative on a dark background.

content and structure

a breviary from the liturgical genre contains A summary and reduction of different for Catholic Liturgy of the Hours used books. The order of individual parts can vary. The studied book is printed on the old Roman model, as a reform of the breviary in 1568 only made by Pope Pius V was.

content it starts off with a "Praefatio" a sort of preface (5 sheets). A title page is missing. This is followed by a calendar (7 sheets) and a first main part (starting with "officiis diebus ad matutinas"). From the subsequent second part is from the smaller font size. CXV CXVI between leaf and a register is inserted, which is comprises twelve leaves and marked with letters, and a table of contents. Will conclude the anthology with three other distinct parts.

In the Schöfferschen printing produced in 1517 was the last time under John Mainzer breviaries Schöffer. It is in this edition to be a rerun on the model of Oktavfertigung from 1509. This Breviary was conceived as a commercial book and used.